TODAY IN CAREER ADVANCEMENT.

Wingnut-watchers may remember A.J. Delgado, author of a book of culture-war mad libs. Turns out she's been picked up by National Review. Among her maiden efforts: A long essay that's ostensibly a review of a new film loosely based on Jim Jones and Jonestown (Ti West's The Sacrament), but mainly about how the People's Temple was a traditional communist cell -- you know, sort of like the American Spring loonies are traditional Republicans -- and people who call it a cult are just covering up for Marxism and Marxists like Jerry Brown and Harvey Milk, who must be exposed.

It was with some trepidation that I attended a screening: Would West eschew any mention of Jones’s leftism, as others addressing the subject had before him? Would West blast organized religion as the culprit, rather than Marxism itself?

 That's what Mr. and Mrs. Moviegoer will want to know! Delgado has mixed impressions:

But the big question is: Does the film represent the truth — i.e., Jones’s leftism? The answer is yes, somewhat. While not overtly highlighting Jones’s ideology or that of The People’s Temple, West certainly does not omit it. In a gripping, seminal scene where Sam interviews [Jones stand-in] Father, the ideology is in full view, for anyone willing to listen closely. Father bemoans issues at the top of any leftist’s top-gripes list: “poverty, violence, greed, and racism.” (A majority of Jonestown’s inhabitants were African American — another angle West truthfully represents.)

When Father mentions heroes who have been shot down for “trying to help others,” those heroes are: Malcolm X, MLK, JFK, and RFK. Not all leftists but not all exactly right-wing idols, either.

So, we know he's a commie because he's against poverty, violence, greed, and racism, is surrounded by black people, and admires Martin Luther King.  But Delgado is concerned that Father also uses a cross and hymns, which might give filmgoers the false impression that Christianity can be used to confuse people, and "reaches out" to West, who politely explains to her that it's a movie. Delgado for some reason finds herself vindicated:

Father quotes Scripture in the film but, if one notices, only to the extent that it can be distorted for his social-justice arguments. Jones did the same, quoting Jesus Christ and Scripture only as red meat for his socialist sermons.

Whereas real Christians only use Jesus to denigrate homosexuals. I predict this young lady will go far.